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WORKSHOPS OFFERED AT MCBA
BINDING & BOOKMAKING WORKSHOPS Cutting Equipment Training +
PRINTING WORKSHOPS Letterpress Open Studio: Letterpress I (July section)
PAPERMAKING & PAPER DECORATING WORKSHOPS VISITING ARTIST WORKSHOP:
OTHER TOPICS IN BOOK ARTS Visual Journaling Collective
Marbling
Boxmaking
Post Album and Wire-Edge Binding
Altered Books |
Please make every effort to register AT LEAST one week in advance of any workshop. Decisions about whether to cancel workshops or add sections are typically made one week prior to the start of workshops. If you wish to register for a workshop less than one week in advance, please call 612-215-2520 to confirm that registration for that workshop is still available.
MAY 2009
Letterpress Open Studio Have you taken a letterpress workshop, but still feel a little uncertain about working independently? Gain confidence by participating in open studio. Open studio sessions are not workshops; rather they are opportunities to work independently under the watchful eye of an experienced artist who can answer questions, share tips and tricks, and help you hone your skills. Advance registration is required to reserve a press. Reservations are first-come-first-served and must be made at least a week in advance. Students must have had an introductory course on the press they are requesting. $40 supply fee
Layer Upon Layer: Stencils in Papermaking and Printing Focusing on the expanded and varied use of the stencil, this course will introduce students to the basics of both hand papermaking and letterpress printing through the creation of a multi-layered broadside print edition. This edition will be housed within a handmade paper folio. Using one of many techniques demonstrated, students will design and create stencils to be used as a watermark in their handmade paper. Students will then make handmade sheets of paper containing their watermark. Several varied hand papermaking techniques will be demonstrated as well as a “line bleeding” technique in which imagery is created by flooding pigmented pulp through yet another stencil. In part two of the workshop, students will create another set of stencils to be used for printing on the vandercook press. A thorough demonstration of pressure printing will be covered including instructions for creating stencils— from the very simple to the more intricate— using various methods and imagery, ink modification, various printing techniques and suggestions for collaborative endeavors with other media. Students will create a multi-layered print on their handmade paper using various stencils and modified ink. $85 ($75 members) + $15 supply fee
Printing on the Poster Press Posters, prints and giant letterforms -- all are possible on the sign press, the greatest low-tech printing press around. Inspired by the work of Hatch Show Print, Anna has come up with some unique rolling techniques, stenciling, monotyping -- plus the famous rainbow roll! Use MCBA’s fabulous stash of wood type and explore printing from various forms, from low-tech peg board and particle board to high-tech polymer plate drawings. Learn good hand-rolling technique and discover viscosity printing. This class is perfect for printers who want to loosen up and break some rules. It’s also a great introduction to printing for beginners! $85 ($75 members) + $15 supply fee
A Weekend Introduction to Letterpress This is an excellent refresher for those who may be considering additional letterpress study or an introduction for those who want to try letterpress and don’t have time for a full course. You will learn how to set type, make a simple linoleum cut, and then print a small edition of beautiful broadside prints on the Vandercook press. You’ll learn about paper, ink, and design, and then fashion a simple wrapper to house the beautiful set of original broadsides you’ve produced. $195 ($175 members) + $15 supply fee This workshop is full. A second section has been opened in August; click here to view. If you would like to be added to this workshop's waiting list, in case there are any cancellations for this section, please call 612-215-2520 or email.
A Small Case Binding in a Box Using traditional bookbinding techniques, create a small (3x3 inch) case-bound book and accompanying slipcase. Adapting materials and processes for working small has been the focus of the instructor’s own work for many years. We will discuss the importance of material selection, precise measuring and preparation when “working small”, ideas for successful concise content, and other options for both small and large books. $195 ($175 members) + $45 supply fee
JUNE 2009
From Fiber to Print: Chine Collé and Letterpress Focusing on traditional Eastern techniques, students will learn to make use of the creative possibilities offered by Japanese papermaking in order to create a contemporary print edition incorporating chine collé. Students will gain a thorough understanding of how to process Kozo fiber by hand. Using traditional Japanese papermaking molds, varied sheets of translucent paper will be created. Experimental techniques will also be explored using both Eastern and Western papermaking molds utilizing pigmented fibers and stencils. These sheets with then be incorporated into an edition through the technique of chine collé. $85 ($75 members) + $15 supply fee
Mixed Media and the Artist’s Book In this hands-on workshop we’ll explore the realm of possibilities for creating content and working with materials such as watercolors, acrylic, pastel, collage and cut paper. You’ll get an introduction to different types of papers, including weights, and textures. We’ll explore ways of adding type and image, including handwriting and transferring methods. You’ll have a chance to create an experimental mixed media book and one concept book using the methods that you’ve learned in class. $170 ($150 members) + $30 supply fee
Letterpress Open Studio Have you taken a letterpress workshop, but still feel a little uncertain about working independently? Gain confidence by participating in open studio. Open studio sessions are not workshops; rather they are opportunities to work independently under the watchful eye of an experienced artist who can answer questions, share tips and tricks, and help you hone your skills. Advance registration is required to reserve a press. Reservations are first-come-first-served and must be made at least a week in advance. Students must have had an introductory course on the press they are requesting. $40 supply fee
Letterpress I This introductory class offers you a thorough introduction to hand typesetting and presswork. Essential for any beginning printer or printmaker, we will cover the basics of design, typography, illustration, and operation of the Vandercook press. We will begin printing on the first evening of class on a pre-selected project, and then you will design and print a small edition of broadside prints on beautiful paper with text and image of your choice. Throughout the course, I will teach and supervise as you print in teams. This is an excellent class for beginners and for those who wish to gain additional experience with presses. You will receive individualized attention and feedback on your personal project. $275 ($250 members) + $45 supply fee This workshop is full. Please view the second section of Letterpress I, beginning July 16.
Multi-Color Japanese Water-Based Woodblock Printing Make a multiple color woodblock print from start to finish while learning a water-based, portable printing method that is easy to practice at home. Come to the first class with a 5x7” drawing. You’ll learn to separate the colors, transfer your design, carve your woodblocks, and sharpen your tools. Japanese woodblock printing uses watercolor inks applied with a brush and printed by hand with a baren. Learn to print special effects such as gradations and textures. The instructor will adapt the material for both beginning and advanced students; if you’ve taken this workshop before, you are welcome to repeat it to explore more challenging techniques. $250 ($225 members) + $35 supply fee
Introduction to Binding Learn several binding styles and basic skills, plus important fundamentals of materials, equipment and techniques. Make an accordion with a pamphlet stitch, a longstitch binding, and a multi-signature case binding. Throughout the workshop, simple tools and methods will be used and discussed so each student can continue working at home. $195 ($175 members) + $30 supply fee
Wire Edge Binding in a Cigar Box Construct a wire edge binding housed in a cigar-style box made from wood and cloth-covered book board. The long pages on the binding open flat, and the wires create added interest on the spine. Students will be guided through techniques of measuring, board and paper cutting, and accurate production of multiples. $195 ($175 members) + $45 supply fee
Monoprints on Letterpress Using a shared text as inspiration, create imagery using monoprints — a printing technique that results in a one-of-a-kind variation every time an impression is made. A collection of prints with letterpress-printed text will be bound into a collaborative book in the final evening session. A satisfying and intensive introduction to printing and binding techniques. $225 ($200 members) + $20 supply fee
Marbling Open Studio Have you taken a marbling workshop, but still feel a little uncertain about working independently? Gain confidence by participating in open studio. Open studio sessions are not workshops; rather they are opportunities to work independently under the watchful eye of an experienced artist who can answer questions, share tips and tricks, and help you hone your skills. Bring your own paint and paper. MCBA will supply brushes, cups, eyedroppers and 16" x 20" tanks of carragheenan. $40 supply fee
Low-Relief Embellished Paper In the first session, make low-relief cotton paper. Create patterns and impressions with leaves, keys, rubber bands, washers, and more. You may also bring your own flat, textured objects (such as carved linoleum blocks or found objects) to try out. During the second session, explore the expressive potential of color. You will work with acrylic paints and India inks to embellish your low-relief paper samples. Dress for mess with water-safe rubber-soled shoes. $85 ($75 members) + $10 supply fee
Boxmaking Made Hard: Advanced Techniques For students who have taken an introductory boxmaking class, this is the next step. Construct a complicated box structure from a design by the instructor, using book board and decorative papers. Featuring drawers, a door or lid, a window and compartments, this box can be used to house any small objects; the techniques involved can be applied to larger boxes too. We will also cover precision measurement and board cutting. $195 ($175 members) + $25 supply fee
Letterpress II This workshop is designed to give you the skills and confidence to work independently on a Vandercook press. Gain technical skills with edition printing and color mixing as you work on a project planned with guidance from the instructor. Throughout the course, you will receive individualized attention and feedback on your independent project. $250 ($225 members) + $30 supply fee
JULY 2009
Non-Adhesive Bindings Non-adhesive bindings can be simple yet elegant choices for small editions and artist’s books. Over the two days we will make four bindings: a two-section pamphlet stitch with ribbon closure, an Asian stab binding, a dos equis binding and a chevron longstitch book. This will be a jam-packed weekend of book binding fun and will include discussion of more alternatives for non-adhesive forms as time allows. We will use a variety of decorative papers for covers and several weights of text papers for the book blocks. Discussion of various material considerations and design options will accompany each binding style. $185 ($175 members) + $35 supply fee
STUDIO EQUIPMENT: Collapsable Punching Cradle Make a punching cradle out of heavy book board and cloth. This essential jig is collapsible for storage, portable and very handy! A cradle is a necessity for preparing signatures for pamphlet stitching, longstitching, almost any sewn binding technique. $45 ($40 members) + $10 supply fee Members Only package discount:
Letterpress Open Studio Have you taken a letterpress workshop, but still feel a little uncertain about working independently? Gain confidence by participating in open studio. Open studio sessions are not workshops; rather they are opportunities to work independently under the watchful eye of an experienced artist who can answer questions, share tips and tricks, and help you hone your skills. Advance registration is required to reserve a press. Reservations are first-come-first-served and must be made at least a week in advance. Students must have had an introductory course on the press they are requesting. $40 supply fee
Letterpress I This introductory class offers you a thorough introduction to hand typesetting and presswork. Essential for any beginning printer or printmaker, we will cover the basics of design, typography, illustration, and operation of the Vandercook press. We will begin printing on the first evening of class on a pre-selected project, and then you will design and print a small edition of broadside prints on beautiful paper with text and image of your choice. Throughout the course, I will teach and supervise as you print in teams. This is an excellent class for beginners and for those who wish to gain additional experience with presses. You will receive individualized attention and feedback on your personal project. $275 ($250 members) + $45 supply fee This workshop is full. If you would like to be added to the waiting list, in case there are any cancellations or an additional section is opened, please call 612-215-2520 or email.
Contemporary Uncial Calligraphy Learn calligraphy basics using a mono-line pen to explore a contemporary version of the centuries-old Uncial alphabet. The rounded end of the pen facilitates the rotund architecture of these generously proportioned capital-like letters. Use a smaller version of Uncial made with a fine-line pen for handwritten correspondence or an artist’s book. Tweak your Uncial into several variations by sloping it or squaring off letter terminals. Create your own colorful Uncial monogram in class, complete with watercolor embellishments. $95 ($85 members) + $20 supply fee
STUDIO EQUIPMENT: Studio Weights & Press Boards Make one studio weight and three press boards in class, suitable for use in book binding and pressing signatures. Take home the materials for a second weight. (If time permits we may make the second weight in class.) Various considerations for size, coverings, boxmaking techniques, and filler materials will be discussed. $45 ($40 members) + $10 supply fee Members Only package discount:
Cutting Equipment Training + Bookbinding Open Studio Open Studio provides access to tools and equipment, plus fellowship! Open studio sessions are not workshops; they are opportunities to work independently under the supervision of an experienced artist who can answer questions, share tips and tricks, and help you hone your skills. Work on your current project in a friendly and supportive environment. Bookbinding Open Studio's supply fee covers select text papers, select thread and PVA; supply your own bookboard, cloth, decorative papers and other needs. If you aren't trained on the cutting equipment- this is your opportunity! If you aren't already trained to use our cutting equipment, here is your opportunity. Through hands-on training you will learn the capabilities of each piece of MCBA’s cutting equipment, and how to use them correctly and safely. Completion of this training will permit you to rent this equipment and use it independently. $20 ($15 members)
STUDIO EQUIPMENT: Awl and Binding Needle Case Stop searching for needles at the bottom of your toolbox! Make a case in which to keep your book binding needles. The case will accommodate both straight and curved needles. Also learn to make your own wooden handled awls for use in punching signatures, sturdy and comfortable to use. $45 ($40 members) + $10 supply fee Members Only package discount:
AUGUST 2009
The Mechanics of Movables Pull a tab. Turn a wheel. Bring new life to your page by animating it with movables! In this two-day workshop, participants will learn the fundamental principles that guide the movables seen in many interactive books published today. Beginning with basic tools and techniques, the workshop will quickly move on to building a series of increasingly complex movable structures based on wheels, pull tabs and other ingenious mechanisms. Participants will leave with a bound collection of 10-15 models. Throughout the workshop, participants will view and discuss the work of commercial paper engineers and discuss conceptual possibilities for movables in their own work. No experience necessary, though patience is a must! $225 ($200 members) + $15 supply fee
Concertina Book Structures The concertina has numerous variations and applications. This class will focus on four concertina or accordion book structures: hard cover triangle, hard cover non-adhesive, wrap-around cover with closure, and the single sheet surprise format. Other variations of the versatile concertina format will be discussed as time allows. $45 ($40 members) + $10 supply fee
Cutting Equipment Training + Bookbinding Open Studio Open Studio provides access to tools and equipment, plus fellowship! Open studio sessions are not workshops; they are opportunities to work independently under the supervision of an experienced artist who can answer questions, share tips and tricks, and help you hone your skills. Work on your current project in a friendly and supportive environment. Bookbinding Open Studio's supply fee covers select text papers, select thread and PVA; supply your own bookboard, cloth, decorative papers and other needs. If you aren't trained on the cutting equipment- this is your opportunity! If you aren't already trained to use our cutting equipment, here is your opportunity. Through hands-on training you will learn the capabilities of each piece of MCBA’s cutting equipment, and how to use them correctly and safely. Completion of this training will permit you to rent this equipment and use it independently. $20 ($15 members)
Paste Paper Paste paper is a simple but sophisticated method of decorating paper, limited only by your imagination. Dampened paper is coated with pigmented paste and designs are combed or scraped into the surface. Limitless design possibilities exist using combs, brushes, graining tools and even found objects to produce intricate designs. $85 ($75 members) + $20 supply fee
MASTER CLASS By layering four colors of ink on top of one another, you can produce richly detailed and luminous letterpress images from photopolymer plates. We'll focus on the technical challenges of registering images from multiple plates and discuss the nuances of using papers, inks, line screens and packing. Access to Photoshop software is also required. In preparation for this workshop you will need to prepare a full color digital image (either a photograph, a scanned image, or an image created in Photoshop) to be made into a polymer plate. You will follow a detailed PDF describing how to separate your full color image into four greyscale images (representing cyan, magenta, yellow & black). You are responsible for bringing finished polymer plates to the first class meeting. You may either pay to have plates produced for you by a vendor such as Boxcar Press, or make them yourself if you are experienced in polymer plate making. $195 ($175 members) plus $15 supply fee
Museum In My Pocket: A Sculptural Book The smallest museum can be found in your pocket with this folded portable gallery book. Be the bookmaker, the artist, the framer, the curator, and finally, the host for the grand opening! It looks a bit like a puzzle, a bit like a book, and amazes its audience with a clever “disappearing act”! A variety of art techniques including calligraphy can be used to embellish this repeat-performance structure. Use hand-painted, pre-cut fine art papers and some simple tools to make your very own colorful museum. You can easily take your show on the road wherever you go! $95 ($85 members) + $10 supply fee
Marbling Open Studio Have you taken a marbling workshop, but still feel a little uncertain about working independently? Gain confidence by participating in open studio. Open studio sessions are not workshops; rather they are opportunities to work independently under the watchful eye of an experienced artist who can answer questions, share tips and tricks, and help you hone your skills. Bring your own paint and paper. MCBA will supply brushes, cups, eyedroppers and 16" x 20" tanks of carragheenan. $40 supply fee per session
A Weekend Introduction to Letterpress This is an excellent refresher for those who may be considering additional letterpress study or an introduction for those who want to try letterpress and don’t have time for a full course. You will learn how to set type, make a simple linoleum cut, and then print a small edition of beautiful broadside prints on the Vandercook press. You’ll learn about paper, ink, and design, and then fashion a simple wrapper to house the beautiful set of original broadsides you’ve produced. $195 ($175 members) + $15 supply fee
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Minnesota Center for Book Arts is open to the public: Minnesota Center for Book Arts is located in © 2008 Minnesota Center for Book Arts
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