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The Shop › Event Scores for the End of the World Zine by Adelaide Blair
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Event Scores for the End of the World Zine by Adelaide Blair

$8.00

“Fluxus is a conceptual art movement. An event score is a set of instructions. The end of the world is night. Or is it? This book is the first action of The Pacific Northwest Conceptual Art Center (a conceptual art project.) Designed and edited by Adelaide Blair” with contributions by Mychelle, Joseph Hernandez, Saundra, Mary Campbell, S.J. Stairs, Amelia Greenhall, Stashia Cabral, Jenny Wilde, ‘The Students That Survived’, Io, Eileen Ramos, Amanda Lee, Cal Lawton & Cayla Skillin-Brauchle, Gabriel Jay Carroll, and Sarah Maker. - Adelaide Blair.

Learn more about about the PNWCAC
here.

8” x 5.25”

*Consignment item. Not eligible for 10% membership discount. All consignment purchases are final and non-refundable once shipped.

“Fluxus is a conceptual art movement. An event score is a set of instructions. The end of the world is night. Or is it? This book is the first action of The Pacific Northwest Conceptual Art Center (a conceptual art project.) Designed and edited by Adelaide Blair” with contributions by Mychelle, Joseph Hernandez, Saundra, Mary Campbell, S.J. Stairs, Amelia Greenhall, Stashia Cabral, Jenny Wilde, ‘The Students That Survived’, Io, Eileen Ramos, Amanda Lee, Cal Lawton & Cayla Skillin-Brauchle, Gabriel Jay Carroll, and Sarah Maker. - Adelaide Blair.

Learn more about about the PNWCAC
here.

8” x 5.25”

*Consignment item. Not eligible for 10% membership discount. All consignment purchases are final and non-refundable once shipped.

A Map to Find Your Way Out Zine by Io Blair-Freese
A Map to Find Your Way Out Zine by Io Blair-Freese
$5.00
Robert Reichert House Zine by Adelaide Blair
Robert Reichert House Zine by Adelaide Blair
$8.00
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Adelaide Blair (she/her) is a project-based artist whose research-centered practice allows her to interact with and learn about the world. She is interested in distributed intelligence, and many of her projects involve elements of collaboration or participation. Her subject matter has included ghosts, artificial intelligence, the Greek tragedy Philoctetes, reproductive terms used in printmaking, the Dirty War in Argentina, and networks of corruption in the contemporary art world. She has a Substack newsletter, Sell the Painting, where she mostly writes about the financialization of art, but also uses that space for experimental artmaking and other forms of art writing. Originally from Southern Oregon, Adelaide resides in Seattle, Washington and has an MFA from The Pacific Northwest College of Art.
Instagram: @Adelaide_Blair

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