Caution: Monsters Inside Artist's Book by Jamie Capps

$175.00

“This work explores the connections between past and present, tradition and modernity, and folklore narratives' timeless relevance and evolution. Inspired by stories of the Japanese yōkai, kaiju, and American monster culture, this work responds to how myths and fables reflect the fears of a society at a given time and have been reimagined in a contemporary context.

The book pages are handmade with a blend of bleached abaca and kozo fiber, each sheet stained with black pigment. The book was letterpress printed on a Chandler and Price printing press using photopolymer plates made from scratch negatives of my original drawings and poems. The covers are pigmented abaca accompanied by a slide-on sleeve made from bleached and pigmented flax. The double accordion form allowed the poems to attach behind the pages of the drawings, creating smoke-like glimpses of words that invite the reader to interact with the book further.

To fully understand this work I need to define what yōkai are. Yōkai are described as strange beings, ghostly apparitions, and eerie creatures who cause unfortunate, bizarre, amusing, or supernatural happenings. Such a broad definition allows for yōkai to be good or evil, mischievous or helpful, and helps people explain happenings they can not understand.

All yōkai have a backstory, whether from some folkloric tale, a strange phenomenon or simply an old taiko drum that has become an anthropomorphic terror. In looking to create monsters that people in America would be familiar with, I looked at issues and happenings that plagued or mystify us as a culture. I chose the following issues: anxiety, death, alien sightings, consumerism, and tales of the Bermuda Triangle. These characters are paired with a tanka or short poem which can be read when carefully looking behind the yōkai.” - Jamie Capps

8.5” x 5.5”

*Consignment item. Not eligible for 10% membership discount. All consignment purchases are final and non-refundable once shipped.

“This work explores the connections between past and present, tradition and modernity, and folklore narratives' timeless relevance and evolution. Inspired by stories of the Japanese yōkai, kaiju, and American monster culture, this work responds to how myths and fables reflect the fears of a society at a given time and have been reimagined in a contemporary context.

The book pages are handmade with a blend of bleached abaca and kozo fiber, each sheet stained with black pigment. The book was letterpress printed on a Chandler and Price printing press using photopolymer plates made from scratch negatives of my original drawings and poems. The covers are pigmented abaca accompanied by a slide-on sleeve made from bleached and pigmented flax. The double accordion form allowed the poems to attach behind the pages of the drawings, creating smoke-like glimpses of words that invite the reader to interact with the book further.

To fully understand this work I need to define what yōkai are. Yōkai are described as strange beings, ghostly apparitions, and eerie creatures who cause unfortunate, bizarre, amusing, or supernatural happenings. Such a broad definition allows for yōkai to be good or evil, mischievous or helpful, and helps people explain happenings they can not understand.

All yōkai have a backstory, whether from some folkloric tale, a strange phenomenon or simply an old taiko drum that has become an anthropomorphic terror. In looking to create monsters that people in America would be familiar with, I looked at issues and happenings that plagued or mystify us as a culture. I chose the following issues: anxiety, death, alien sightings, consumerism, and tales of the Bermuda Triangle. These characters are paired with a tanka or short poem which can be read when carefully looking behind the yōkai.” - Jamie Capps

8.5” x 5.5”

*Consignment item. Not eligible for 10% membership discount. All consignment purchases are final and non-refundable once shipped.

Jamie Capps (she/her) is a California-born artist based in Saint Paul. After years spent as a single parent navigating the corporate world, she returned to school at 40 and holds a BA from Mount Holyoke College and an MFA from the University of Iowa Center for the Book. With a deep reverence for the handmade, Capps’s practice draws from cultural and folkloric traditions. Her work explores memory, mythology, and transformation through the tactile language of paper, print, and book forms. She creates layered pieces that reflect themes of resilience, the macabre, and the reimagining of familiar myths and stories—each one a testament to the enduring power of making. Capps' work has been exhibited at institutions such as Cedar Crest College, the Evanston Art Center, the Morgan Conservatory, the Lyndon House, K.K. Merker Gallery, Public Space One, Mount Holyoke College Museum, Taber Gallery, and the Nishino Heritage House in Echizen, Japan.
https://jamiecapps.com | Instagram: @jamie_california