Lemon Zine by Ryan Kaveh Sheldon and DoubleCross Press

$15.00

This book was published in the spring of 2025 in tandem with the chapbook Asbestos, Duct Tape, Lemon Juice; Asbestos [etc] is an essay by the poet Joe Hall about the poets' conceptual publishing project, Hostile Books, who published Lemon's first edition. That first Hostile Books edition of Lemon was printed in 2015 in "invisible ink" (lemon juice); this edition has been redesigned from scratch.” -MC Hyland of DoubleCross Press

8.5” x 7”

*Consignment item. Not eligible for 10% membership discount. All consignment purchases are final and non-refundable once shipped.

This book was published in the spring of 2025 in tandem with the chapbook Asbestos, Duct Tape, Lemon Juice; Asbestos [etc] is an essay by the poet Joe Hall about the poets' conceptual publishing project, Hostile Books, who published Lemon's first edition. That first Hostile Books edition of Lemon was printed in 2015 in "invisible ink" (lemon juice); this edition has been redesigned from scratch.” -MC Hyland of DoubleCross Press

8.5” x 7”

*Consignment item. Not eligible for 10% membership discount. All consignment purchases are final and non-refundable once shipped.

Born in Athens, Georgia, Brian Teare (he/him) grew up in Tuscaloosa, Alabama. He earned a BA in English and creative writing from the University of Alabama and an MFA in creative writing from Indiana University. His collections of poetry include The Room Where I Was Born (2003), winner of the Brittingham Prize and the 2004 Thom Gunn Award for Gay Poetry; Sight Map (2009); and Pleasure (2010), winner of the Lambda Literary Award; and Companion Grasses (2013), which was a finalist for the Kingsley Tufts Poetry Award and was named one of Slate’s best poetry books of 2013. His poetry has also appeared in anthologies, including Legitimate Dangers: American Poets of the New Century (2006).

DoubleCross Press
is a publisher of handmade books of poetry and poetics. With an eye toward artist book studio practices and spaces, and toward the materials and structures of contemporary and historic hand-bookmaking, they produce physical manifestations of their writers' language. They publish poetry chapbooks, essays on book arts and book culture, poetry journals, and other materials exploring the boundaries of poetry, poetics, and artist books.
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